Adventures in one year of Landscape painting Part 2
Overcoming the odds
I regained my composure and applied more paint
reassuring myself that this mess on my canvas was going to turn out okay. A man with his girlfriend was looking on
curiously and asked me how long I had been an artist. Not thinking clearly about his question, I
responded “for an hour and a half or so…”pausing in midsentence, I corrected
myself.
“Oh since high school
but this is my first ‘plein air’ or outdoors painting, "
"I like it and I want it, will you sell
it?"
"Um, this is my
first painting and it’s really NOT that good," I stated, uttering the
dreaded statement of apology that experienced painters advise newbies to avoid:
never apologize for how bad your work may appear! "No really,” he responded. “I want it
because it’s a reminder of this day."
My head filled with the
Rocky themed music, the part where Rocky Balboa knocks out Apollo Creed. I couldn't believe that I was actually
talking about selling a painting, being such a rookie out on my first
excursion.
Self Reflections
A few days later the
experience got me thinking about how exotic it is to see someone painting a
canvas from life in public. For the
painter, it can be a herculean effort just to gather your gear and get to a
location, let alone make a picture that you are happy about. Non painters seem
to have the misperception that painting is just a leisurely way to pass the
time, often failing to understand just how much effort and hard work it takes
to create an image from observation.
The painting is a
reminder of a place, but it’s also a unique interpretation that reflects the
artist’s mental thought. It triggers a memory, an emotion, or a mental space
where you can be immediately transported.
So yes, the painting is a continuing reminder and valuable. And the man
who bought my artwork seemed to understand that. In a later email, he said,
“That was an important day, and having something that was also created on that
day, at that spot, would be great. And the fact that it was a beginning for
you, too, for a new type of art … that is cool, too.”
My return
A year later, I
returned to the harbor and painted the same scene. I was excited and nervous
about the day. It was like a finals exam for which one could never have enough
preparation.
Would I be crestfallen
with my result or pleased about my progress?
During the year, I stayed the course by painting outside at least one
day each week, by attending workshops, reading landscape painting books, and
studying blogs of a few professional landscape painters. I have started daily
thumbnail sketches on my daily dog walks as well as attending a local atelier
school a few hours a week.
It’s tough to squeeze
all this in with the rigors of family commitments and childcare, but struggle
is what art is about. It’s never an easy
proposition to make pictures. Sometimes the
pictures turn out good. Some sell, some don't. But the reminder of the struggle
of making the picture is even better.
And after all, in my
first plein air excursion, I sold a painting and had my lunch stolen by a dog.
Me (left of center in black)standing watching a demo by Stapleton Kearns |
First plein air painting 2012 |
Same scene a year later of the Harbor in Canton |
Jason Witte is from
Baltimore, MD and will be exhibiting his work from the past year at
September 7, 2013 7:00
to 10:00 pm at
ArtistUnderground
826
West 36th Street
Baltimore,
Maryland
Open
Studio: Thursdays 5:00 - 7:00 Fridays 4:00 - 7:00 (with 1st Friday
Celebrations)
Saturdays
11:00 - 6:00
0 Comments:
Post a Comment
<< Home